wisdom

The three once-counter-superpowers during the Cold War are now busy respectively with state (or interstate) affairs at their own choice -

        Russia has suddenly become much richer, owing to creeping high oil prices, and with new dual leadership, pledging to bolster the country's economy and order;
        U.S. is fighting the Iraq War, at the cost of $5 trillion, which increases each day;
        China, with rapid economic growth, is engaged in the Olympic Games.

A simple question: who is smart, smarter in terms of managing state or interstate affairs as a nation, again, with their power and at their own choice? And who will be stronger, more powerful in the eyes of Tomorrow’s history?

“There is pleasure in the pathless woods;
There is rapture on the lonely shore;
There is society, where none intrudes,
By the deep sea, and music in its roar:
I love not man the less, but Nature more.”

Above excerpt from poem by Lord Byron (1788–1824) is the beginning of the movie based on a true story, of a young top student and athlete Christopher McCandless from Emory University, who donated his savings (all $24,000) to charity and abandoned his car, walked by himself, alone, “Into the Wild”, into Alaska. He burned his social security card, all personal IDs, and family photos, leaving no clue for his well-off family to find him. A very sad journey of a young man at 24 to disconnect himself entirely from society from the moment he burnt the remaining cash in his wallet, a “new birth”, in his words… The perceived hypocrisy in his parents’ and family relationships that he hates most has buried, in a little boy’s heart, a secret bomb of pain, not unlocked in time. He did not make one phone call even to his younger sister, nor did love from acquaintances on the road stop him from a journey obviously leading an innocent to apparent danger. Does the young man “love not man the less, but Nature more”?

Released by Paramount Vantage. Running time: 140 minutes. Starring Emile Hirsch, Marcia Gay Harden, and William Hurt. (screenshots) -

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Bob Dylan came up with one way to remember Albert Einstein: “Now you would not think to look at him/But he was famous long ago/For playing the electric violin/On Desolation Row.”

This is the pure distillate of celebrity. Dylan’s folk-rock vision of “Einstein, disguised as Robin Hood” is one in which the original man has disappeared into a symbolic fog where more or less any meaning may be found. Nowadays, such content-less fame has become common, though there aren’t many out there who match Einstein for resonance. But when he first exploded into public view, there were no precedents. No scientist before or since has so completely transcended the role of expert to become a universal emblem of reason.

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Photographers caught that wit as well as the gravitas. It helped that he was astonishingly willing to play along. No one made him ride that bicycle or stick out his tongue straight into the barrel of an oncoming lens. Whatever weariness he felt at the crush of the public gaze, he was almost always willing to pause for the shot. There is a story that he was once asked—by perhaps the only person on earth who did not recognize him—what he did for a living. He replied that he was a photographer’s model.

He was just as open to sharing his ideas. Einstein took seriously questions about his science, up to the point of writing one of the best introductions to relativity for the lay reader. (Called Relativity, it’s still in print.) He handled the ridiculous questions, too, with humor and enormous stamina. He told his interrogators what he thought of Prohibition (against, though he didn’t drink), the death penalty (against, at least some of the time), and abortion (for, up to a certain point in the pregnancy). No scientist before Einstein had been so willing to stand before his public.

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Images courtesy of NASA

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