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Poem in Art: Of Time long past: And, was it sadness or delight,... - Percy Bysshe Shelley
Like the ghost of a dear friend dead
Is Time long past.
A tone which is now forever fled,
A hope which is now forever past,
A love so sweet it could not last,
Was Time long past.
There were sweet dreams in the night
Of Time long past:
And, was it sadness or delight,
Each day a shadow onward cast
Which made us wish it yet might last -
That Time long past.
- Percy Bysshe Shelley
"That all they ask is rougher weather, /And dory and master will sail by fate /To seek the Happy Isles together." - Robert Frost
The fisherman's swapping a yarn for a yarn
Under the hand of the village barber,
And her in the angle of house and barn
His deep-sea dory has found a harbor.
At anchor she rides the sunny sod
As full to the gunnel of flowers growing
As ever she turned her home with cod
From George's bank when winds were blowing.
And I judge from that elysian freight
That all they ask is rougher weather,
And dory and master will sail by fate
To seek the Happy Isles together.
Poem in Art: Over Earth and Ocean, with gentle motion... - Percy Bysshe Shelley
Over Earth and Ocean, with gentle motion,
This pilot is guiding me,
Lured by the love of the genii that move
In the depths of the purple sea;
Over the rills, and the crags, and the hills,
Over the lakes and the plains,
Wherever he dream, under mountain or stream,
The Spirit he loves remains;
And I all the while bask in Heaven's blue smile,
Whilst he is dissolving in rains.
- Percy Bysshe Shelley
Poem in Art: "Where happy spirits, crown'd with circlets bright / Of starry beam, and gloriously bedight" - John Keats
As from the darkening gloom a silver dove
Upsoars, and darts into the eastern light,
On pinions that nought moves but pure delight,
So fled thy soul into the realms above,
Regions of peace and everlasting love;
Where happy spirits, crown'd with circlets bright
Of starry beam, and gloriously bedight,
Taste the high joy none but the blest can prove.
There thou or joinest the immortal quire
In melodies that even heaven fair
Fill with superior bliss, or, at desire,
Of the omnipotent Father, cleav'st the air
On holy message sent -- What pleasure's higher?
Wherefore does any grief our joy impair?
- John Keats
"Blow, blow, thou winter wind / Thou art not so unkind / As man's ingratitude..." - William Shakespeare
Blow, blow, thou winter wind
Thou art not so unkind
As man's ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then heigh-ho, the holly!
This life is most jolly.
Freeze, freeze thou bitter sky,
That does not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As a friend remembered not.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then heigh-ho, the holly!
This life is most jolly.
15 Sep 1795 "Lyrical Ballads" published by Samuel Taylor Coleridge and William Wordsworth

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Coleridge first met William Wordsworth in 1795, when he traveled to the Dorset home where the poet lived with his sister Dorothy. He walked 50 miles to get there, and as he approached Wordsworth noticed that their over-excited visitor "did not keep to the high road, but leaped over a gate and bounded down a pathless field by which he cut off an angle." The two bonded instantly. When Wordsworth learned that Coleridge moved to Nether Stowey, he and Dorothy packed up and moved there too.
For a solid year between 1797 and 1798, Wordsworth and Coleridge were in close, daily contact. They took long walks together and spent hours discussing poetry and literature. The two men were at the forefront of what is now known as the Romantic period. For Romantics, nature was the only source of real inspiration, the only place where men could truly connect to their deepest and most powerful emotions. In the rugged beauty of the Lake District, Wordsworth and Coleridge had nothing but inspiration. They began to talk of a new kind of poetry, one that relied on the reader's imagination and the honesty of simple language to evoke powerful feelings. They decided to write a collection of poetry together. Wordsworth's job was to write poems about everyday topics; Coleridge would tackle poems about "persons and characters supernatural" that were true enough to provoke in readers "that willing suspension of disbelief for the moment, which constitutes poetic faith."
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Image courtesy wordsworthclassics.com
















