comics

Craziness is not rare, neither is Crime. Else, there would be no need for law, law enforcement, etc. etc.. Does Fear lead to solutions, or to panic, shutting out common sense and wisdom? EU Justice Chief has the answer: "We have to have a very clear line on this. We must never be driven by fear but by our values."
MEPs not yet convinced about body scanners, await impact analysis: "legitimate questions"... "Technology has become the new religion in counter-terrorism"... "Violation of dignity"... "no matter how much technology you have, terrorists will manage to circumvent it"... "great cost implications" of using body scanners, and advised against "putting burdens on airport companies" (also tax payers?) without the certainty that such scanners would be useful.

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How far from awareness to action? Ice is now melting fast, sea level rising non-stop… When will pollution be decisively and extensively checked to reverse the wheel of climate change?

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A little-reported ceremony took place a few days ago outside a nondescript apartment block in the Paris suburb of Bobigny. An old man unveiled a plaque to mark the birthplace of one of France's greatest cultural heroes: Asterix.

On 29 October 1959, the first adventure of the diminutive warrior Asterix appeared in the comic magazine Pilote. It was the work of the Italian-born artist Albert Uderzo and his script-writer friend René Goscinny.

According to one of their creators, the small, wily Gaul Asterix and his oversized, clumsy friend Obelix were born under the influence of friendship, desperation and a great deal of alcohol. They met at Uderzo's apartment in the Paris suburb of Pantin to dream up a story and some characters for a comic strip to be published in the first edition of the weekly magazine Pilote. At the time, aside from the Belgian strips Tintin and Spirou, French newspapers carried primarily American comics. The founder of Pilote wanted French children to be able to read stories in which their own culture dominated. 'The Gauls,' they thought, 'liked to have a good laugh, to talk big and were bon vivants. I think we've got something there.'  read more »

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Keep on drawing to a better world - talented humor cartoonist, johnxag (http://www.johnxag.8m.com) , Greece born in Hermoupolis, Syros, Greece in 1962, published in Greece since 1992, in Italy, in Romania, Spain, Cyprus, France, Poland, Belgium, Brazil, Croatia, Turkey, Serbia, Russia, Japan, Germany, China and in Azerbaijan.

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Original Source: ToonPool

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While Indonesia's bird flu death toll climbs to 119, deadly strain (a nasty mash-up of swine, avian, & human viruses) of swine flu gets under radar of the immune system and pushes death toll in Mexico to 152 and climbing. "Residents [of La Gloria, Perote Municipality, Veracruz State, Mexico] believed the outbreak had been caused by contamination from pig breeding farms located in the area. They believed that the farms, operated by Granjas Carroll, polluted the atmosphere and local water bodies, which in turn led to the disease outbreak. According to residents, the company denied responsibility for the outbreak and attributed the cases to ‘flu.’ However, a municipal health official stated that preliminary investigations indicated that the disease vector was a type of fly that reproduces in pig waste and that the outbreak was linked to the pig farms. It was unclear whether health officials had identified a suspected pathogen responsible for this outbreak."  read more »

Images courtesy of John Klossner, Mike Peters / Dayton Daily News / King Features Syndicate, P.C. Vey, humor-in-photos-and-pictures.blogspot.com, Nick Anderson / Houston Chronicle, Hajo / CWS, and Riber / Cagle Cartoons

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CEO -- Chief Embezzlement Officer.

CFO -- Corporate Fraud Officer.

BULL MARKET -- A random market movement causing an investor to mistake himself for a financial genius.

VALUE INVESTING -- The art of buying low and selling lower.

P/E RATIO -- The percentage of investors wetting their pants as the
market keeps crashing.

BROKER -- What my broker has made me.

STANDARD & POOR -- Your life in a nutshell.

STOCK ANALYST -- Idiot who just downgraded your stock.

STOCK SPLIT -- When your ex-wife and her lawyer split your assets
equally between themselves.

FINANCIAL PLANNER -- A guy whose phone has been disconnected.

MARKET CORRECTION -- The day after you buy stocks.

CASH FLOW-- The movement your money makes as it disappears down the toilet.

YAHOO -- What you yell after selling it to some poor sucker for $240 per share.

WINDOWS -- What you jump out of when you're the sucker who bought
Yahoo @ $240 per share.

INSTITUTIONAL INVESTOR -- Past year investor who's now locked up in a nuthouse.

PROFIT -- An archaic word no longer in use.

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In 1969, the American writer John Updike famously declared, "I see no intrinsic reason why a doubly talented artist might not arise and create a comic strip novel masterpiece."

The statement was immediately ridiculed by literary traditionalists, who disparaged comics as a "low" medium unworthy of serious critical attention. But it became a rallying cry among comic book creators, long second-class citizens in the art world.

Forty years has proved their prescience. Graphic novels – usually defined as extended-length illustrated books with mature literary themes – have risen to widespread prominence, spurred on by the work of respected talents such as Art Spiegelman ("Maus: A Survivor's Tale") and Will Eisner ("A Contract With God").

Graphic novel sales in Canada and the United States hit $375 million in 2007, five times the figure reported in 2001, according to ICv2, a pop culture site. "Jimmy Corrigan," a book by Chris Ware, has sold hundreds of thousands of copies alone; "Persepolis," originally a graphic novel by Marjane Sartrapi, picked up an Oscar for best animated film in February.

The world of comics and graphic novels is in the midst of a creative renaissance that may be greater than the dawn of the Marvel Universe in the 1960s. This development has been a longtime coming, considering that the beginnings of both newspaper comics and the cinema occurred at roughly the same time in the late 19th century. Film quite quickly matured into the 20th century's great American art form, while comics remained relatively insular and ignored by adults.

Alternative graphic novels are represented on film as well (Road to Perdition, Ghost World, American Splendor, Persepholis) and are increasingly making their presence felt at traditional book store chains where there are now entire sections devoted to graphic novels as well as manga (Japanese graphic novels, which are another subject entirely).

Generation Next folks currently coming-of-age are almost as conversant about the latest graphic novel as Generation X-ers were about grunge music. The main difference is that graphic novels show no signs of being a temporary trend. Indeed, they may be here to stay, well into the 21st century.

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Images courtesy of Marjane Satrapi. Art Spiegelman, Naoki Urasawa, Neil Gaiman, and Evanston Review

Original Source: Christian Science Monitor and Evanston Review